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The Talmud tells us: 'in every generation, it is incumbent upon each person to see himself - lirot atzmo - as if he were leaving Egypt.' Maimonides - either he had a different version of the talmudic text or he was innovating - writes that each person is obligated to show himself - l'harot atzmo - as if he were leaving Egypt. Both versions - but in that of Maimonides especially - emphasize performing the exodus from Egypt, for oneself and others. The hagadda is a set of stage directions for that performance: drinking the four cups of wine, maror, matza, leaning while we eat and drink, derech cherus, our sages tell us, in the manner of free men and women. So interested are the sages in the experience of the seder that they provide actual recipes for that performance. Rabbi Yochanan says that the charoset is a commemmoration of the mortar; Rabbi Yochanan says it is in rememberance of the apple trees under which Jewish woman led their husbands despite their protestations about Egyptian oppression ('we can't have kids!,' their husbands protested, 'not now!'). Abaye goes on to provide the recipe - food can be philosophical - for our dialectical consciousness, both slavery and redemption. 'Make sure that you pound it to make it thick' - commemorating our hardship - and 'add lots of wine and apples to make it sweet' - recalling our eventual triumph. No transcendental meditation here; pass the apple peeler.
The seder is full of props for out performance - it's always fun to add your own (red dye for blood, marshmallows for hail are among my favorites) - but the primary means is speech. Aristotle may say that man is the rational animal, but our tradtion tell us that man is distinguished by his speech. 'And the Lord God formed man of the dust of the ground, and breathed into his nostrils the breath of life; and man became a living soul.' A living soul - nefesh chaya - as our tradition tell us, man is the creature who speaks. Man, says the Maharal of Prague, is not a purely spiritual creature - he represents a hybrid between the spiritual and physical, between the dust from which he was created and the divine breath which inspirited him. Descartes, having ruined everything for Europeans with a philosophy separating mind and body, tried to make amends by suggesting that the despite everything, the spirit does invest the physical in - get this for a philosophical joke - the pineal gland. The Maharal, however - no philosophical models for him thanks - is serious when he says that the mind and the body come together in the tongue.
Though a picture may be worth a thousand words - we know that even the most humble of the people of Israel experienced a prophetic vision which was more vivid and intense than that of the prophet Ezekiel - on seder night, we turn primarily to words. When the word for hearing - shmiya - is used in the Torah, Onkelos who provides the Aramaic 'Authorized Version' translates kabbala. Kabbala - don't think of Madonna here - means acceptance, or perhaps in more psychological terms, internalization. Though the people experienced the 'visuals' on their way out of Egypt, it wasn't long after that they were worshipping the golden calf. So much the more so in our generation, we need a way of taking our own cosmic consciousness and bringing it to life. For this, there is the speech and the redemptive power of story-telling - and a performance that leads to internalization.
In the hagadda, we read: 'one who expands on the story of the exodus from Egypt is praiseworthy.' The Alter of Kelm explains that praiseworthy - m'shubach - comes from the word mashbiach - improved or refined. Through our storytelling - to ourselves and our children - we have the opportunity of refining and improving ourselves. Of taking that transcendental cosmic consciousness - internalizing it - and making it real.